The Tattooed Poets Project: Cathryn Cofell

Today's tattooed poet is Cathryn Cofell.

Cathryn prefaced her tattoo by telling me:

"My tiny tattoo pales in comparison to some...Most of my adult life, I've wanted one, but always held back because I either 1) didn't know what I wanted or 2) feared I'd change my mind as soon as it was done (I change my mind as often as a hummingbird's heart beats) or 3) was working for a relatively conservative company."

This last concern is one that everyone should consider when getting a tattoo. Not that Tattoosday is an Ink Advice blog, but companies can legally discriminate (and often do) against tattooed individuals, which is something many people do not think about when getting inked. At the time that Cathryn got her tattoo, she "was working for a credit union with a strict 'no visible tattoos policy' and ... was part of the management team that actually wrote that policy". She does point out that she was out-voted by the anti-tattoo contingency.

So, Cathryn says,

"This was the compromise -- small, discreet, but powerful -- and not so discreet that I had to become a pretzel or strip completely naked to see it for myself or show it to others....


The symbol I finally chose is one that I wore around my neck as a talisman for many years: the Nile River Goddess, Nathor, who represents strength, triumph, success. I was at one of those turning points in my life -- feeling low and falling lower, needing her and those ideals to be more firmly etched in and on me.


She turned my life around that day. I've thought about another since and probably will some day, but see 1, 2 and 3 above and you'll know why I'm still waiting!

The poem that Cathryn sent us, seen here on BillyBlog, "came out on the drive home, scribbled on an old napkin".

Thanks to Cathryn for participating in the Tattooed Poets Project!

Cathryn Cofell is the author of five books, most recently Kamikaze Commotion (Parallel Press). She's received 40+ awards for her poetry and essays which also appear in scads of journals and anthologies. She is a zealous advocate for the arts, having served as founding Chair of the Wisconsin Poet Laureate Commission, on the board of the Wisconsin Fellowship of Poets, and currently as Chair of the Verse Wisconsin Advisory Board and a pro-arts voice wherever she'll be heard.

The Tattooed Poets Project: Seth Berg

Today's tattooed poet, Seth Berg, is very tattooed. Not only does he say he is "extensively tattooed," he qualifies such a statement: "over 60 sessions under the needle".

He sent several photos, but the most impressive and, from what I can tell, his most special one is this "mammoth beast" of a tattoo (his words, not mine) on his ribcage:


In case you were wondering, this amazing leaf "goes from [his] pelvic bone to [his] armpit and blankets [his] entire ribcage".

The tattoo is an oak leaf, inked in celebration of his son, Oak, who turns 1 on May 8th.


The tattoo was completed in one six-hour session (with only one break for water and a stretch). The artist was Kat Richards from Live Fast Die Young Tattoos in Northeast Minneapolis.

Seth Michael Berg earned his MFA in poetry from Bowling Green State University in 2003 and has since been bouncing around the country teaching, tending bar, sculpting, writing, and occasionally snowshoeing. His poems and fiction can be found in Connecticut Review, Lake Effect, Word Riot, JMWW, 13th Warrior Review, Chiron Review, BlazeVOX, Pike Magazine, Disappearing City Literary Review, and Dark Sky Magazine, among others. Berg lives in Minneapolis with his photographer wife, Ashley, their supernatural son, Oak, and their twelve-year-old English Bulldog, Bob. When not working, Berg can most likely be found indulging his addiction to hot sauce or slowing down somewhere in a forest.

Check out his poem "Aphasia" over on BillyBlog.

The Tattooed Poets Project: Tameka Mullins

Today's tattooed poet is Tameka Mullins, a poet who blogs at her site Lyric Fire.


Tameka chose this tattoo design because she was a high school drama major and she dreamed of becoming an actress. The tragedy and comedy masks are a popular tattoo design, especially among creative individuals. They have even appeared on Tattoosday before, as seen here and here.

Tameka elaborates:

I actually collected objects (paintings, art masks, etc...) with the thespian symbol over the years because I felt such a connection to the image. As I grew older I realized I loved the symbol so much because to me it summed up life. Happiness, sadness, joy, pain, elation and deflation. These are the emotions that drive us, crush us and propel us and are at the center of almost everything we do. As a writer I look to capture, explore and expand on these emotions in my projects.

After a night out parting with her best friend, Tameka got an ear piercing and this tattoo at Sacred Tattoo in Manhattan.

Tameka is a native Detroiter who loves writing, networking and cultivating great relationships. Her professional background includes work as a public relations professional, radio segment producer, project manager and consultant for publishing and non-profit organizations. She wrote her first poem when she was 5-years-old and it consisted of just two words: "I dream." She believes that with persistence and passion dreams can be transformed into goals which become reality. Her novel Letters to Chyna, which delves into the emotionally charged issues of adoption is currently being reviewed and considered for publication.

Check out one of her poems over on BillyBlog here.

The Tattooed Poets Project: Jillian Brall

Today's tattooed poet is Jillian Brall, who has the distinction of being the only inked writer to appear on the TPP after National Poetry Month.

Last April she submitted her photo after all the April slots were filled, so I decided to continue the project with the idea that one a month would be a nice number.

Check out Jillian's May 2009 post here.

This year, when she saw on The Best American Poetry blog that I was running the project again, she didn't hesitate to send in a photo and secure a spot.

This is her tattoo:


Jillian explains:

"It's a drawing I did with my eyes closed - of a series of drawings I did with my eyes closed. And this particular girl has kind of become my logo. I've also created picture books that incorporate her and the other characters. In my poems I sometimes refer to a girl or to a "she" or "her", and this drawing of a girl has sort of come to represent them."

This tattoo is on the front of her left thigh and was inked at the same shop where her tree tattoo (from last May's post) was done, R&D Tattooing in Queens, NY. She can't remember the artist, who was not a shop regular, but as you can see from the original drawing, she did, in Jillian's opinion, "a perfect job".



Head over to BillyBlog to read a poem by Jillian here.

Jillian Brall received both her BA in Creative Writing in 2004 and her MFA in Poetry in 2009 from The New School, in New York, NY. She is a NYC certified Teaching Artist, currently living in the Bushwick area of Brooklyn. She recently published a book of poems, Wet Information, under her press, ZoeWo Press. She is also a saxophonist and visual artist, focused on mixed media collage, drawing and painting. Several of her collages can be seen in issue 12 of Pax Americana, as well as featured on The Best American Poetry Blog, and have been used as cover art for several electronic poetry books published by Scantily Clad Press. Prints of her collages, as well as copies of her book, Wet Information, are available for purchase here. Poems have appeared in The Best American Poetry Blog, Praxilla Journal, and are forthcoming in Connotation Press.

Thanks to Jillian for returning to the Tattooed Poets Project!

The Tattooed Poets Project - Caroline Goodwin

Today's Tattooed Poet is Caroline Goodwin.

She sent along this photo of a clematis flower that was tattooed on her belly in the early '90s in Juneau, Alaska:


She says she chose the clematis image from "a book of botanical sketches at the Juneau Public Library". Why this one? "Because I love purple flowers -and vines".

The artist, Caroline recalls, was Dave Lang at High Tide Tattoo.


Caroline Goodwin moved to the San Francisco Bay Area from Sitka, Alaska in 1999 to attend Stanford as a Wallace Stegner Fellow. She teaches poetry and nonfiction writing workshops at California College of the Arts and, with Hugh and Mary Behm-Steinberg of Berkeley, is the publisher of MaCaHu poetry chapbook press.

Check out one of Caroline's poems here, over on BillyBlog.

Anne's Flourish

This is another regular post amid the host of Tattooed Poets for April.

I ran into Anne at a drug store in my neighborhood and she agreed to share this simple, yet elegant, tattoo, which she called her "flourish":


Inked on her inner right forearm, Anne designed this herself, and had it tattooed by Chad Hunt at Name Brand Tattoo in Ann Arbor, Michigan.

Thanks to Anne for sharing her lovely decorative tattoo with us here on Tattoosday!

The Tattooed Poets Project: Joseph Millar

Today's tattooed poet is Joseph Millar.

This is a bit of an unusual submission, as it was provided on behalf of Joseph by his wife, the poet Dorianne Laux. Dorianne, who herself is un-inked, was instrumental in last year's Tattooed Poets Project, referring me to several tattooed poets, who in turn introduced me to many more, acting as the lead domino in a fantastic tattooed poet domino effect.

This is the tattoo she provided on behalf of Joseph:


Dorianne explains that this tattoo is actually a two-part piece. The original was "a much smaller rose" by the legendary Lyle Tuttle. She continues:

"The banner was etched with his second wife's name, which I never saw as a problem. I liked his ex-wife who is an artist. In fact, her painting graces the cover of my third book, Smoke. One night he came home late with a bandage on his arm. I worried he'd been in a work-related accident. He peeled it back to show me he had the rose enlarged and my name stenciled into the new banner by Doctor Julien of [Julien's Black Lotus Tattoo in] Eugene, Oregon. I wish I could tell you I thanked him and kissed him, but what I did was sock him in the arm and call him an idiot. Secretly, I found I was pleased."

Be sure to head over to BillyBlog and read one of Joseph's poems here.

JOSEPH MILLAR is the author of Fortune, from Eastern Washington University Press.


His first collection, Overtime (2001) was finalist for the Oregon Book Award and the Robert H. Winner Memorial Award from the Poetry Society of America. Millar grew up in Pennsylvania, attended Johns Hopkins University and spent 25 years in the San Francisco Bay area, working at a variety of jobs, from telephone repairman to commercial fisherman. His poems have appeared in numerous magazines including The Southern Review, TriQuarterly Review, Prairie Schooner, Shenandoah, DoubleTake, New Letters, Ploughshares, Manoa, and River Styx. His work has won fellowships from the National Endowment for the Arts in Poetry, Montalvo Center for the Arts, Oregon Literary Arts and a 2008 Pushcart Prize in Poetry. In 1997 he gave up his job as a telephone installation foreman. He now lives in Raleigh, NC and teaches at Pacific University’s Low Residency MFA Program in Oregon and yearly at the Esalen Institute in Big Sur, CA. Pulitzer Prize winner Yusef Komunyakaa has said, “There's a tenderness at the core of Fortune, where the commonplace becomes atypical and fantastical, and each poem possesses a voice that summons and reveals. Joseph Millar is a poet we can believe.” His third collection of poems will be published in fall of 2011 by Carnegie Mellon Press.

Thanks to Joseph and Dorianne for their collaborative submission to the Tattooed Poets Project!